How We Listen by Aaron Copland Essay Example | Topics and Well Written Essays - 250 words

How We Listen by Aaron Copland - Essay ExampleHe succeeds in the clarification because of cardinal main methodsPeople look on the sensuous plane for pure entertainment. For example, turning on the intercommunicate while doing something else and absentmindedly bathes in the sound. A good listener should realize that a lovely seem music is not necessarily great music. I believe the sensuous plane before the other two is a useful technique since this is the plane most people often relate to the most. second base plane is the expressive one. Copland then discusses the notion of moment in music. In his view, music has a meaning but the meaning is not concrete, and sometimes it is difficult for it to be expressed in words. This plane explains wherefore music has a moving and relaxing effect on us. It is harder to grasp and requires more(prenominal) deep mentation because Copland claims that meaning in music should be no more than a general concept. This issue is actually philosop hical, and one must accept the train to understand this plane (4).The next plane deals with the manipulation of the notes and offers a more intellectual approach to enhancing musical appreciation. The actual structure of the music as such the distance of the note, pitch, harmony, and tone color are emphasized in this section of the essay. This fundamental study of the structure is needed to form a firm foundation for the musical piece and to understand the diagnosis of it. This technical and more scientific plane is contradictory to the philosophical sensuous plane. For this reason, it is another useful technique of Copland to use existent observations to explain the listening process to the satisfaction of the readers.After expounding his theory in the way we listen, Copland uses the parity of a theoretical play to drive the point home. This is yet another useful technique utilize by him it gives him the leeway to demonstrate clearly the interrelating of the three planes. Rega rding the ideal listener, Copland saysIn a sense, the ideal